![]() So if we want to build an Am7 chord, we can simply take A and add the notes of the C major triad on top of it. The relative minor of C (take a look at the Circle of Fourths/Fifths) is A. In your example, we have a CMaj chord (C E G). ![]() So, umm, there is no scale transition here, and I don't quite understand your question.Īlso, an Xm7 chord will always contain a major triad from a major key relative to X. The B-flat major scale is: Audio playback is not supported in your browser. This major scale key is on the Circle of 5ths - Bb major on circle of 5ths, which means that it is a commonly used major scale key. It also shows the scale degree chart for all 8 notes. Its relative minor is G minor and its parallel minor is B-flat minor. B-flat major scale This step shows the ascending B-flat major scale on the piano, treble clef and bass clef. This is one of the 2 most common cadences found in music (the other being a transition from a perfect fourth to the tonic). B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. ![]() The interval between D (the root of the first chord) and G (the root of the last one) is a perfect fifth (7 semitones). These are all 7 notes of the G major scale (or E natural minor, but the progression ends on a G chord, so it's definitely major). A C E G (which is in homage to CMaj from before, hence the added 7th).So the bass (I assume) progression is D C Bm Am7 D G, which would be: ![]()
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